EXA 03 – 30 Greatest Film Scores

EXA 03 – FAMOUS FILM SCORES

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A film score (also sometimes called background music or incidental music) is original music written specifically to accompany a film. The score forms part of the film’s soundtrack, which also usually includes dialogue and sound effects, and comprises a number of orchestral, instrumental or choral pieces called cues which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question.

Scores are written by one or more composers, under the guidance of the film’s director and/or producer, and are then usually performed by an ensemble of musicians – most often comprising an orchestra or band, instrumental soloists, and choir or vocalists – and recorded by a sound engineer.

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EXA 01 – Film Posters

EXA 01. FILM POSTERS CLASSIFIED BY GENRE.

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A film poster is a poster used to advertise a film. Studios often print several posters that vary in size and content for various domestic and international markets. They normally contain an image with text. Today’s posters often feature photographs of the main actors. Prior to the 1990s, illustrations instead of photos were far more common. The text on film posters usually contains the film title in large lettering and often the names of the main actors. It may also include a tag line, the name of the director, names of characters, the release date, etc.

Bellow you can look at to some examples of films posters classified by genre. Click on the image to view more.

FILM POSTERS BY GENRE

REA 01 – Precursors of Film.

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One of the first technological precursors of film is the pinhole camera, followed by the more advanced camera obscura, which was first described in detail by Alhazen in his Book of Optics (1021), and later perfected by Giambattista della Porta. Light is inverted through a small hole or lens from outside, and projected onto a surface or screen. Using camera obscura, it is possible to create a projected moving image, but, in the absence of recording technology, only in real-time.

In 1739 and 1748, David Hume published A Treatise of Human Nature and An Enquiry concerning Human Understanding, arguing for the associations and causes of ideas with visual images, in some sense forerunners to the language of film. Moving images were produced on revolving drums and disks in the 1830s with independent invention by Simon von Stampfer (Stroboscope) in Austria, Joseph Plateau (Phenakistoscope) in Belgium and William Horner (Zoetrope) in Britain.

Camera Obscura Box.

On June 19, 1872, under the sponsorship of Leland Stanford, Eadweard Muybridge successfully photographed a horse named “Sallie Gardner” in fast motion using a series of 24 stereoscopic cameras. The experiment took place on June 11 at the Palo Alto farm in California with the press present. The exercise was meant to determine whether a running horse ever had all four legs lifted off the ground at once. The cameras were arranged along a track parallel to the horse’s, and each camera shutter was controlled by a trip wire which was triggered by the horse’s hooves. They were 21 inches apart to cover the 20 feet taken by the horse stride, taking pictures at one thousandth of a second.

Eaduard Muybridge’s The Horse in Motion studio.

Étienne-Jules Marey invented a chronophotographic gun in 1882, which was capable of taking 12 consecutive frames a second, recording all the frames on the same picture. He used the chronophotographic gun for studying animals and human locomotion. The second experimental film, Roundhay Garden Scene, filmed by Louis Le Prince on October 14, 1888 in Roundhay, Leeds, West Yorkshire, England, UK is now known as the earliest surviving motion picture.